Francesco Baccherini [early 19th century], Armonia, for Solo Flute, 2 solo clarinets, tutti clarinets, 2 bassoons, trombone. This score is three movements long and found in the Biblioteca Musicale Greggiati in Oestiglia, Italy.
Siegessinfonie by Ludwig van Beethoven, modern edition for wind ensemble by David Whitwell. The original band composition survives in a presentation copy by Beethoven’s copyist, with the composer’s corrections and a title page entirely in his hand.
Belloli was principal horn at La Scala in Milan and professor of horn at the Conservatorio. A large number of his etudes for all the brass instruments are still in the repertoire.
A work composed by one of the French Revolution's most important composers/conductors. First premiered in the Cathedral of Notre Dame, and representing the first masterpiece in this instrumentation from the era that gave birth to the modern band, in a new, detailed, critical edition by Dr. Adam Kehl.
Coronation March for the Emperor Napoleon by Georg Druschetzky, modern edition for Harmoniemusik by Craig Dabelstein. Part of the Maxime's Music Napoleon Series.
The overture to Gluck's three-act opera, Iphigénie en Aulide, the first work he wrote for the Paris stage. The libretto was written by François-Louis Gand Le Bland Du Roullet and was based on Jean Racine's tragedy Iphigénie. It was premiered on 19 April 1774 by the Paris Opéra.
Composed by the most important musical figure in Revolutionary France, this unique work features the largest instrumentation from the era that gave birth to the modern band. In a new, detailed, critical edition by Dr. Adam Kehl.
